Showing posts with label Good Will Hunting. Show all posts
Showing posts with label Good Will Hunting. Show all posts

Sunday, 4 December 2011

The Great Movie Speech - Part 1

I love a good speech, now I'm not talking about a drunken family member stumbling their way through a wedding speech, or in fact a lecture - like those horrifically boring Christmas lectures channel 4 love to put on. I'm talking about a speech that can leave it's audience spellbound, can inspire a failing team to produce greatness or reduce its recipient to tears. Films have produced some incredible moments of individuals delivering a monologue that leaves you wishing it was you in that moment giving this awe-inspiring speech.

Here at The Armchair Director let me take a moment to pay homage to some of my favourite movie speeches. There are hundreds and I couldn't possible mention them all - although I happily would I just figure that would probably take me about a month to write and let's face it, that's too obsessive!

Where to start?!

As a huge sports fan it's only fitting I begin with the sports movie. Cinema is full of magnificent speeches in sports films, if anything its a cliche of the genre - The usual scene, a team at half time, losing, in disarray, fans on their backs, no way back in sight. Up steps their manager, a fallen hero or a usually quiet team member to deliver a rousing speech that causes a team to unite and produce 'the miracle comeback' - This first speech is truly inspiring, it has been used by coaches all over the world before big games, it's that good. The film in question is Any Given Sunday - Oliver Stone's hard-hitting look at running a Pro Football team, for me this is a massively underrated film and one many don't rate as it's about a sport they don't get (an excuse I have heard from some of my friends, I say friends I mean former friends because with excuses like that they are clearly pointless).

Al Pacino is coach Tony D'Amato and the perfect man to deliver a speech that will inspire a team 'on the brink' to turn their fate around. I defy anyone to watch the scene where he delivers his 'inch by inch' speech and by the end not have a shiver down their spine. If you do not like American Football, or sport, I don't care - watch this scene. It is the most powerful speech delivered in the history of sports films and will leave your fist clenched with you punching the air screaming COME ON.

While my second choice is also a sports film it is not the big speech in the locker room I have chosen - although Samuel L Jackson's 'I came to teach boys and you became men' speech is fantastic. For most of the film Coach Ken Carter asks the question 'What is your deepest fear Mr Cruz' to the troubled and temperamental student Timo Cruz, and for the most the question is met with utter confusion. As an audience we have no idea what it is that Carter is trying to get out of the arrogant player and as you witness Cruz on the brink of making one more bad decision and ending like his brother, shot dead in the street he turns to his coach for help.

The scene that makes this film for me is after Ken Carter has been forced to end the lock-out he enforced for his players failing in their classes (I won't go in to the full details, needless to say this film is a brilliant coming of age story and even more compelling as it's a true story) so as he walks into the basketball court he is greeted by his team sitting at desks taking exams. A true show of unity from a team for their coach, what happens next is Timo Cruz stands and delivers 'Our Deepest Fear' (often believed to be from Nelson Mandela at his inaugural speech as President of South Africa in 1994, in fact it's not and was never a Mandela speech its by American writer Marianne Williamson - knowledge. Dropped, right there!) it's a fabulous monologue and epitomises everything that Ken Carter is trying to get his team to believe in not to mention it is spoken from the heart and a brilliant piece of acting.

Let's move away from the sports genre now and let me 'doff my cap' to Mr Robin Williams for a moment. This guy can captivate an audience, yes he is insane and spends most of his time being a crazy, funny, high octane maniac but every so often he plays a role that is truly inspiring. I could quote every line of his in Dead Poets Society as being examples of great speeches; his 'carpe diem' and 'we don't read and write poetry because it's cute' to name two. The of his scene I have chosen is one I have mentioned before and for me my favourite speech ever.

Good Will Hunting is one of my favourite films, following Sean's first meeting with Will and after having Will, in Sean's words 'rip my fucking life apart' their next meeting takes place on a bench by a lake. A simple enough setting, what happens next is, for me, Robin Williams' finest moment. I wish I could deliver a speech like this, it is utterly compelling, said from the heart and done in the calmest manner - which for me adds to the power of it and leaves Will sat speechless. Magnificent acting, great writing and a sublime scene.

Now I am aware I have been talking for quite a while here about my love of great speeches. I have decided to carry this over to another time. So consider this part one, half time if you will. Time for us to take a break, have someone perhaps give us a rousing speech to get us ready for the second half of my homage to the inspiring world of movie speeches.

Thursday, 3 November 2011

The crying game

Now I'm man enough to admit I cry when watching some movies. There are some scenes in films I still have to skip through so as not to end up in a blabbering wreck - the scene where Mufasa dies in The Lion King, truly horrific. Cannot watch that scene otherwise I'm sobbing like a baby. I think we can all relate to that, unless you are dead inside!

From an early age I was having to hide the fact I cry at films, E.T - the ending, again in tears, snot everywhere! It's not pleasant. I used to walk out the room, pretend I was going to the toilet or something. It fooled no-one, everybody knew what I was doing and the mockery started!! Joy!

So I started to ask myself is there something wrong with me or am I infact just becoming immersed in films and finding that connection that so many people don't?! - now of course I didn't ask myself this after watching The Lion King, I was nine, but you catch my drift.

So I gave into the whole crying like a child thing and let it happen. I opened a gate and now it's impossible to shut. Literally a flood of tears has happened since.

Good Will Hunting, the whole 'it's not your fault' scene. Yep, streaming tears. Now they way I see it, if Matt Damon is crying his eyes out, it's ok for me to as well, right?!

Now when Titanic came out, everybody was crying at that film so I figured I was probably going to too. You know what, I didn't! At all. That was a big breakthrough for me, showed I only cry when a film is that powerful. I'm not an unstable person who cries when they forget to turn the light off on their way to work. Progress!!

The last film to have me in tears was Up - clearly animation is a weak point for me - but I defy anyone to watch that opening scene and not shed a tear. That is a magnificent opening to an animation film, hell any film! It's beautiful, moving and very poignant and I read in Empire they were crying too so I knew I was in good company!!

Well thanks for letting me share that little, if you know me badly kept, secret and I'm sure I'm not the only one to cry at films. Just know it's not a bad thing! It shows you have a heart.

Unless you cry at Serendipity.

That's just pathetic!

Thursday, 27 October 2011

Not just the silver screen, give me any screen

I can still remember the first time I watched Donnie Darko, it just blew me away. It's one of the few films where I've watched the entire end credits. I just sat in a trance just trying to process exactly what I had seen and how I was feeling.

That for me is the power of film. It can awake something inside you that either you didn't know you could feel or hadn't felt for long enough to have forgotten what it is.

People always say 'the magic of the cinema' in reference to how seeing a film at the cinema is the ultimate way to see a film, yet I don't agree with that - now I'm not condoning illegally downloading them instead so chill out homeslice!

Watching a film in your own house, flat, studio - wherever! Is a much more personal experience than a cinema. I love going to the cinema I really do - but the films that have struck me the deepest have been those I've watched in my own room or house.

Like I said earlier - I can still remember sat curled up - yes curled up - well more like sat with my legs up on the chair, is that curled? We'll say yes!

Anyway, sat CURLED up in my room almost sat right up to the screen just being sucked through a portal into the mind of Richard Kelly in a magnificent work of mind-fuck art. It was just me and the film, no one eating loudly beside me or annoying teenager chatting or texting in front. Just total focus on the film. Exactly what it deserves. Perfect.

I remember the goosebumps I got, laid on my bed in the early hours of a school night watching Robin Williams deliver the greatest, calmest 'fuck you' speech to Matt Damon in Good Will Hunting, not in a cinema, on a little portable tv video combo. If a film is that good it will suck you in wherever, whenever you watch it.

Being utterly spellbound as I was watching the stunningly beautiful Princess Mononoke in my own living room, not even realising someone had come home and started talking to me as I was no longer on my sofa, I was in that forest, that magnificent forest just taking it all in.

Christ even holding back the urge to shout 'come on' on a plane as I was inspired by Billy Bob Thornton's awe-inspiring monologue in the brilliant Friday Night Lights.

I could go on and on and on...

Look, never stop going to the cinema but ask yourself the films you remember, how many did you watch at the cinema and how many did you watch in the comfort of your own home where you are free - from the smell of nacho cheese or noisy kids - to be taken wherever the director chooses to take you?